Books

The current model for how publishers sell ebooks to libraries, and how libraries purchase and distribute/loan ebooks, is broken. There is no easy fix, no way to meet in the middle. Publishers sell books. Libraries buy them to loan them out for free to their patrons. This works nicely with physical products. Publishers put out new books, libraries buy them and stock their shelves. If a book is popular, or written by a well-known author, libraries buy multiple copies. And since books suffer from wear and tear, libraries place reorders for older titles.

But with ebooks, this model gets uncomfortable for publishers. For one thing, there’s no need for patrons to actually visit a library — they can just visit the library’s website to “check out” an ebook. Why buy the ebook if you can get it just as conveniently via a library’s website? The current result is that publishers are either not currently selling ebooks to libraries, or offering up pricing structures that libraries do not like. It smacks at the larger issue publishers face with regard to the economics of digital books.

Solutions? Various arrangements will be offered up. I’ve seen the stories about what the publishers are willing to try, what the libraries are rejecting. None of these deals will last long-term. More aspects of the digital marketplace for books overall need to be firmed up before the model for library ebook-pricing and loan limitations can be established.

But setting aside the current reality, here’s some fantasy with regard to what could be for libraries with regard to ebooks — in the long run, patrons, and books, will win out.

Here are just a few hopeful ideas why I believe this:
– More titles will be available to more people.
– Title loaning between libraries will transcend local/school library systems, and it will be instantaneous.
– It will be easier to find titles, and immediately begin reading them.
– They’ll be better organized.
– The organization of data will be more fluid and easier to update.
– There will be better metadata.
– There will be ways for the patrons to update, fix, improve and add to metadata.
– No need to replace damaged physical books — once it’s on a server, it’s available forever..
– No need to worry about wear and tear.
– No need for wait lists – easy to serve up the same file to as many people that want it at any given time.
– No need to limit the number of titles a patron checks out.
– It won’t be about how many titles are in your collection, it will be who has them best organized.
– Physical structures won’t be necessary.
– It won’t be necessary for patrons to actually visit a library to check out or, more importantly, return books.
– In terms of the physical space, more emphasis can be put on programming, exhibits, training and classes.
– Libraries can specialize in offering ebooks by local authors, or ebooks of local interest.
– Self-published titles can more easily find their way into the collections of libraries (no more “limited shelf-space excuses”).
– Archives and papers can be made available more widely and in a variety of digital formats — better preserving local history.

So much more is possible. Of course, even if all the issues with regard to publishers and libraries got worked out and allowed some of the above to actually happen, libraries wouldn’t have the necessary funds to actually execute any grand digital plans. It’s a shame that their budgets are being cut — severely — just as the the ebook revolution explodes. If there was ever a time that libraries need funds, and access to titles, it would be right now.

Truly amazing to see Poet Laureate Philip Levine and Poet Tracy K. Smith — who had just been awarded the 2012 Pulitzer Prize for Poetry about a week earlier — read poems on the same stage at the Knopf / Tumblr #PoetryParty at Housing Works Bookstore in NYC on April 23, 2012.

Fantastic to see the Poet Laureate Philip Levine read alongside two young, emerging poets — Saeed Jones and Karolina Manko — at the Knopf / Tumblr #PoetryParty at Housing Works Bookstore in NYC on April 23, 2012.

Knopf and Tumblr have put together an amazing LIVE celebration of poetry featuring Poet Laureate Philip Levine, 2012 Pulitzer Prize Winner Tracy K. Smith, and two fantastic poets from the Tumblr community: Saeed Jones and Karolina Manko.

The event takes place on Monday, April 23, 7 pm, at Housing Works Bookstore Cafe in NYC. Open bar. Amazing poetry. Poet Laureate. Pulitzer Prize Winner. Poets from the Tumblr community. Put it on your calendar and come out to celebrate poetry with us!

Robert Reich has just published a new ebook — Beyond Outrage. It’s e-only, and the enhanced version includes 5 original videos created by Jacob Kornbluth.

Here’s one of the videos, which outlines what the ebook is all about:

Reich is hoping you’ll read the ebook, and then share your ideas for getting #beyondoutrage on Facebook and Twitter. As he points out, “You need to be outraged, but you also need to move beyond outrage, and take action.”

Awesome writing advice from writer Cheryl Strayed: “Aspire always for greatness, but surrender to mediocrity.” Be sure to check out her excellent new book Wild.

This year, as part of Knopf’s annual Poem-a-Day celebration, we wanted to put together a short collection of poems and offer it up as a low-priced ebook. Deborah Garrison, the poetry editor at Knopf, came up with a fantastic theme (and title) — Poems After Midnight — and selected 13 amazing poems to showcase. The elegant cover was designed by Knopf art director Carol Carson.

Years back before my time, publishers probably would have printed this kind of thing up, made it into a beautiful little collectible. You don’t see much of this anymore, mainly because of cost. The cost to design, copy edit, print, and then distribute. The rise of digital really opens things up, making it more feasible to create projects like this. Of course there are still costs associated with producing an ebook — you still have to design a cover, format the text, and copy edit — but the more noticeable dollar figures associated with printing, distribution and inventory are not a part of the picture.

And I hope to see more of these types of digital projects. Shorter works, offbeat curation, collections and combinations of material that would never, ever get approved as a physical product.

Anyway, here’s the description of the Poems After Midnight ebook:
Most poets are or have been at one time or another members of what Mark Strand here calls “The Midnight Club”: they are insomniacs, or feel most productive in the middle of the night, or, if nothing else, are people whose work requires an openness to the dreams, visions, and scraps of inspired language that may drift across our path in the wee hours. In Poems After Midnight, drawn from Knopf’s Poem-a-Day program (the daily e-mails we’ve sent to our fans every April for the last dozen years or more), we’ve gathered some of the significant nocturnal entries by our poets. Here are poems of love and loss (J. D. McClatchy’s “Little Elegy,” Kevin Young’s “Chorale”), poems under the moon and in hotel rooms (Frank O’Hara’s “Avenue A,” Sharon Olds’s “Sleep Suite”), poems detailing urgent self-examinations and Jewish mourning rituals, or heralding the arrival of a visionary political statement like “They Feed They Lion,” a poem from the early 1970s by poet laureate Philip Levine. Each one carries us on a journey away from the distractions of daytime and into a realm of heightened understanding.

And here are the 13 poems featured:
“A Remedy for Insomnia” by Vera Pavlova
“Avenue A” by Frank O’Hara
“Soul Keeping Company” by Lucie Brock-Broido
“Little Elegy” by J. D. McClatchy
“Sleep Suite” by Sharon Olds
“Self-portrait” by Edward Hirsch
“The Midnight Club” by Mark Strand
“They Feed They Lion” by Philip Levine
“After” by Franz Wright
“Chorale” by Kevin Young
“Greeter of Souls” by Deborah Digges
“Poem to be Read at 3 a.m.” by Donald Justice
“The House was Quiet and the World Was Calm” by Wallace Stevens

You can buy the ebook (for 99 cents) at the following online retailers:
iBookstore | BN.com | Amazon | More

Editor Ed Park introducing the Jeff, One Lonely Guy authors Jeff Ragsdale and David Shields.

Staged reading of selections (calls and messages) from the book.

Ragsdale speaking to the crowd at CultureFix in the Lower East Side.

More about the project can be found at jeffonelonelyguy.com.

I’m bullish on eshorts. Here are some reasons why:

I think eshorts open up a whole new space in the still evolving digital marketplace for written content.

There’s a definite need and desire for both fiction and nonfiction that falls somewhere between 5K and 30K words in the ebook format on digital readers. For fiction: something beyond a short story and edging up to the length of a novella. For nonfiction: longer than a magazine article, but shorter than a full-length work. There’s something about this length that just makes sense on a digital reader.

Eshorts are a good opening for writers to publish their own work in the digital space. It’s a good place to explore all the things you’re going to need to know how to do: produce an epub file, understand the retail procedures, environment and opportunities, and market a digital-only product.

The eshort form is inspiring new, exciting companies to enter the publishing space, like the frequently mentioned Byliner and The Atavist.

It’s also inspiring non-publishers to set up publishing operations, such as NBC News and TED.

I personally do not think it’s hard to publish an ebook. But there is a learning curve. Like anything, the only way to get good at it is to do it, over and over and over again. If you are also writing the content of the books, that’s not so easy, because writing a full-length work takes a great deal of time. Eshorts make this proposition a bit simpler. They take less time to write, there is less copy to edit, and the marketplace is a bit narrower in scope. Publishing eshorts, in short, is just a less daunting proposition. It’s an excellent point of entry to the business of publishing.

Writers are never short on longform magazine ideas. But there are very few magazines publishing long-form journalism or short-form fiction these days, and the ones that do are some of the hardest places for a writer to get his or her work published. The eshort marketplace allows a writer to pursue his or her idea and publish it all on their own. And possibly make some decent money.

Let’s face it — sometimes nonficiton full-length published books are padded. The reason for this is because in order to justify a work’s publication as a book (or rather, all the costs associated with bringing the work to the marketplace), it had to hit a certain word count (at least over 50K words). The stretch is obvious, and sometimes painful for readers. The eshort marketplace solves this problem by creating a middle ground.

Eshorts open up possible new revenue streams for newspapers, magazines, and other content producing organizations.

For established authors who fall on the more prolific end of the spectrum, eshorts offer up an opportunity to put even more works into the marketplace. With or without their publisher.

Speed to the marketplace will be improved. Publishers can take well over a year to get a book into the marketplace. Eshorts can be published in less than a week.

Will eshorts help serialization makes a comeback? Haven’t seen anything yet, but certainly this an opportunity for writers/publishers to serialize a work through the eshort channels.

The three main retailers for digital content — Amazon, BN.com, and Apple’s iBookstore — all have solid merchandising programs for eshorts. Amazon leads the pack with its Kindles Singles program, BN has Nook Snaps, and iBookstore has Quick Reads.

And while it’s true that most ebook reading and purchasing is happening through the Kindle, Nook and iPhone/iPad, with purchases for content coming from the companies associated with those devices (Amazon, BN.com, Apple, respectively), it’s possible that producers of niche eshort content may be able to sell direct (if they forgo worrying about DRM).

Eshort pricing — usually falling somewhere between .99 cents and 2.99 — helps establish an overall ebook pricing structure that makes sense. The price of full-length ebooks is currently in flux and one of the key issues for the publishing industry right now. But if an eshort costs $2.99 (at the upper-end), well, then, a full-length ebook at least has to cost more than that. I mention this because some readers feel full-length ebooks should be priced that low. Thinking long term, whatever prices are now for full-length ebooks, they will eventually come down. But eshorts, by inhabiting the lower-end of the pricing spectrum, establish an appropriate bottom.

Hari Kunzru points out the importance of being ruthless with regard to cutting material that doesn’t work in the context of your overall project. “If it doesn’t fit, it has to go.”

Note: Kunzru’s excellent new novel Gods Without Men was just published on March 6.