Writing

“Write what you love.”

Knopf and Tumblr have put together an amazing LIVE celebration of poetry featuring Poet Laureate Philip Levine, 2012 Pulitzer Prize Winner Tracy K. Smith, and two fantastic poets from the Tumblr community: Saeed Jones and Karolina Manko.

The event takes place on Monday, April 23, 7 pm, at Housing Works Bookstore Cafe in NYC. Open bar. Amazing poetry. Poet Laureate. Pulitzer Prize Winner. Poets from the Tumblr community. Put it on your calendar and come out to celebrate poetry with us!

Every year Knopf celebrates National Poetry Month through its Poem-A-Day program, highlighting an amazing poem every single day throughout the month of April. This year, we had the awesome opportunity to partner with Tumblr to create a Tumblr blog with the specific goal of celebrating poetry. We’re featuring the daily Knopf poem, but we’re also showcasing poetry submissions from the Tumblr community. So check out the Tumblr blog — Celebrate Poetry, and be sure to submit your own poem(s).

Awesome writing advice from writer Cheryl Strayed: “Aspire always for greatness, but surrender to mediocrity.” Be sure to check out her excellent new book Wild.

The ascendancy of the ebook has truly reinvigorated the discussion about the viability of going the self-publishing route.

– So many screeds about “legacy” publishers.

– Publishers having to create powerpoint presentations explaining why they’re still relevant.*

– Countless articles about the millions Amanda Hocking made, first by self-publishing ebooks through Amazon, then by getting a monster book deal from a major publisher.

– Ever more manuals and articles which aim to show how you, too, can be a successful self-publisher — usually written by someone who has no self-publishing success under his or her belt (other than maybe the how-to works).

I’m all for this. It’s a great conversation to be having, but it’s not all that novel. I self-published a printed book about 10 years ago. The conversations and debates going on right now were going on back then. It was the dawn of the web, and since anyone could easily put up a website on the “world wide web,” the argument was that this new platform would allow us to reach the millions of readers out there and sell our books to them directly. There was no need for a “middleman.”

Technically, I suppose this was true. What’s also true is that millions of people did NOT buy my self-published book. That certainly would have been nice, but you know what? I still consider the whole venture a total success, and I will tell you why: because I learned a hell of a lot by doing everything myself.

In fact, the lessons I learned during that self-publishing experience have helped me throughout my career in publishing, which has included having a couple of books published by a major publisher, as well as working for major publishers.

That is the point that I want to make: you learn an immense amount of “on the ground” knowledge across the entire spectrum of the book business** when you self-publish, regardless of whether your project is a success or a failure. By doing it yourself, you touch all aspects of the process, down the the core levels. And all the things you weren’t aware of, don’t pay attention to, or forget about, those mishaps have a way of really sticking with you, once they come back to bite you somewhere down the line, that is. I would argue that these collective lessons — the good and the bad — will be invaluable as you make your way along your own, long-term, unique publishing path.***

*I can’t think of a way to make yourself seem more irrelevant than to make this argument with a powerpoint presentation.

**A business which is currently in a state of massive flux.

***Given all the options these days, in an ideal scenario, you’ll be able to mix it up — self-publish some works, publish experimental pieces with upstarts and new ventures, AND get books published by a major publisher.

I’m bullish on eshorts. Here are some reasons why:

I think eshorts open up a whole new space in the still evolving digital marketplace for written content.

There’s a definite need and desire for both fiction and nonfiction that falls somewhere between 5K and 30K words in the ebook format on digital readers. For fiction: something beyond a short story and edging up to the length of a novella. For nonfiction: longer than a magazine article, but shorter than a full-length work. There’s something about this length that just makes sense on a digital reader.

Eshorts are a good opening for writers to publish their own work in the digital space. It’s a good place to explore all the things you’re going to need to know how to do: produce an epub file, understand the retail procedures, environment and opportunities, and market a digital-only product.

The eshort form is inspiring new, exciting companies to enter the publishing space, like the frequently mentioned Byliner and The Atavist.

It’s also inspiring non-publishers to set up publishing operations, such as NBC News and TED.

I personally do not think it’s hard to publish an ebook. But there is a learning curve. Like anything, the only way to get good at it is to do it, over and over and over again. If you are also writing the content of the books, that’s not so easy, because writing a full-length work takes a great deal of time. Eshorts make this proposition a bit simpler. They take less time to write, there is less copy to edit, and the marketplace is a bit narrower in scope. Publishing eshorts, in short, is just a less daunting proposition. It’s an excellent point of entry to the business of publishing.

Writers are never short on longform magazine ideas. But there are very few magazines publishing long-form journalism or short-form fiction these days, and the ones that do are some of the hardest places for a writer to get his or her work published. The eshort marketplace allows a writer to pursue his or her idea and publish it all on their own. And possibly make some decent money.

Let’s face it — sometimes nonficiton full-length published books are padded. The reason for this is because in order to justify a work’s publication as a book (or rather, all the costs associated with bringing the work to the marketplace), it had to hit a certain word count (at least over 50K words). The stretch is obvious, and sometimes painful for readers. The eshort marketplace solves this problem by creating a middle ground.

Eshorts open up possible new revenue streams for newspapers, magazines, and other content producing organizations.

For established authors who fall on the more prolific end of the spectrum, eshorts offer up an opportunity to put even more works into the marketplace. With or without their publisher.

Speed to the marketplace will be improved. Publishers can take well over a year to get a book into the marketplace. Eshorts can be published in less than a week.

Will eshorts help serialization makes a comeback? Haven’t seen anything yet, but certainly this an opportunity for writers/publishers to serialize a work through the eshort channels.

The three main retailers for digital content — Amazon, BN.com, and Apple’s iBookstore — all have solid merchandising programs for eshorts. Amazon leads the pack with its Kindles Singles program, BN has Nook Snaps, and iBookstore has Quick Reads.

And while it’s true that most ebook reading and purchasing is happening through the Kindle, Nook and iPhone/iPad, with purchases for content coming from the companies associated with those devices (Amazon, BN.com, Apple, respectively), it’s possible that producers of niche eshort content may be able to sell direct (if they forgo worrying about DRM).

Eshort pricing — usually falling somewhere between .99 cents and 2.99 — helps establish an overall ebook pricing structure that makes sense. The price of full-length ebooks is currently in flux and one of the key issues for the publishing industry right now. But if an eshort costs $2.99 (at the upper-end), well, then, a full-length ebook at least has to cost more than that. I mention this because some readers feel full-length ebooks should be priced that low. Thinking long term, whatever prices are now for full-length ebooks, they will eventually come down. But eshorts, by inhabiting the lower-end of the pricing spectrum, establish an appropriate bottom.

Hari Kunzru points out the importance of being ruthless with regard to cutting material that doesn’t work in the context of your overall project. “If it doesn’t fit, it has to go.”

Note: Kunzru’s excellent new novel Gods Without Men was just published on March 6.

In words and pictures, writer Cheryl Strayed discusses what she learned, and what she gathered back to herself, while doing a solo hike along the Pacific Crest Trail (the subject of her memoir Wild).

Photo of author Dan Chaon taken at Bookcourt, February 6, 2012.

Writer Alec Wilkinson, author of The Ice Balloon, discusses how writers should ask themselves “Is this true?” whenever they write something. Says Wilkinson, “I think any writer who can put something on the page, and say to himself or to herself “Is this true?” and of course you understand I don’t mean literally true, I mean true to some emotion, true to some thought, true to some circumstance that was involved in the creation of whatever piece of prose or poetry you’re working on, I think that if you can satisfactorily answer that question to yourself, you’ve probably got material that will be interesting to a reader.”

Be sure to check out Brain Picking’s great article by Michelle Legro on Wilkinson’s book The Ice Balloon.